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Showing posts with label baguio. Show all posts
Showing posts with label baguio. Show all posts

Friday, October 11, 2013

BAGUIO, OH, BAGUIO...





This post should've been written in time for this year's Baguio Day but I had another 'writing assignment' that needed to be submitted first. I have been back in Baguio since last quarter of 2012 and my love-hate relationship with the city of my birth is at its strongest now. Allow me please to vent some of my frustrations/observations. I have no solutions to offer except those that I practice already. (And please do not think I am being self-righteous). Anyway, here goes...

Baguio's population is bursting at the seams. I refuse even to google the latest census update on the city's population. Overpopulation is felt, seen and heard. Well, economists and other social scientists have predicted at the turn of this millenium that people from the rural areas will flock to urban centers. It is happening around the globe. Baguio is no different. Expect Baguio's population to grow some more. Even if the RH Bill were passed and every child-bearing-aged person in Baguio would practice responsible parenthood, our population will still grow due to migration from the rural areas. Add to that longer lifespans in the future due to advances in the medical field. (Who knows, maybe stem-cell therapy 10 years down the line would be as affordable as a root canal). Yes, Baguio will be packed ten, fifteen, twenty years down the road. People will come here for job opportunities, education, etc.

GROWING VERTICALLY
With the little space Baguio has, buildings will be built higher to accommodate population growth. We see these happening with our universities already. Also, condominiums and other development projects are rising higher and higher. I am just hoping they adhere to earthquake and other safety standards knowing the vulnerability of the city. Just like in Japan. It would be an added bonus also if they were aesthetically designed. Again, just like in Japan.

My neighborhood in Yangco has seen such transformation the past years. And it will happen to other parts of the city. When properties belonging to old timers (who may or may not have migrated), or those summer residences belonging to out-of-towners, will be sold to developers -- expect more high rises. Gone will be the days of white picket fences, gardens and bungalows/cottages. 

We cannot stop anyone from selling his property especially if offers are good. And of course developers have a totally different mindset altogether. They will need to recoup their investment and make a profit. Ergo, they will maximize the area of property they will purchase and yes, they will build taller buildings.

Clash of values is happening now. What one values may be different from the other. It will be a tough and even bitter battle between old-timers (those longing to preserve what little heritage Baguio has now) and between  the city government and developers. Forget John Hay and Burnham Park, the only green space in the future will be Baguio Country Club. I must learn to play golf...

I cannot help but wonder: when ancestral claims are granted to the vast open spaces we have left in the city (some of which are watersheds), will the claimants retain these as open spaces? Or will they and their relatives cash in and sell these once it is awarded to them?
 
PANAGBENGA EVERYDAY
 I haven't been to the Flower Festival's main attractions in the past years except during the evenings when downtown is closed. It was a surprise for me to hear that there was traffic gridlock along Leonard Wood Road all the way to South Drive, Gibraltar, Mansion, etc. in last February's parade. A taxi driver told me it took him 4 hours to take a lady from the market to Pacdal. (He couldn't let her down because she was very pregnant. Imagine if she labored that time?)

With the growing population of Baguio, expect that kind of traffic to be an everyday occurrence in the future. We can only widen our roads so much and I don't think there is any more space for more flyovers. I doubt an underground transportation system will work either. Yippee! It will be like Panagbenga everyday!

My solution: WALK. When the weather is fair and you don't have much stuff to carry. WALK.  Or BIKE. Like some of my friends do. And please no more colorum FX's. We have more than enough. When it's not rush hour you see all these FX's parked along Yangco, Kisad, Gen. Lim, etc. (These are the daily routes I walk, so I see them everyday).  And I'm not even going to talk about the pollution from all these vehicular emissions!

SESSION ROAD AS DIVISORIA
 No need to pester City Hall to make Session Road strictly for pedestrians. It's going to happen inevitably. With the looming population growth and terrible traffic scenario, expect downtown to be like Divisoria. From Bonifacio, Bokawkan, Legarda, Kisad, Leonard Wood Road, Gen. Luna, Gov. Pack Road -- people will start walking to town. Because it will be faster for them to do so.

With foot traffic occupying the streets, expect enterprising vendors to take over. After all, most of these migrants have come up for the 'economic' opportunities this urban center has to offer. With these will come trash. Allow me please to be a bit nostalgic. Ang linis, linis, linis, linis, linis, linis, linis, linis ng Baguio nuon. In elementary we were taught to pocket our candy wrappers and other trash and throw them in receptacles once we got home or when we got back to our classrooms. But never to throw them in the playground or in the streets. With the migrants now, especially the students who are not from here, what do they care? Hindi naman sila taga-Baguio eh. They will graduate in four years' time and leave the city anyway. Ngayon, ang dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, dumi, ad infinitum ng Baguio. 

Oh don't you just love the future? TRASH!  And muck. For those who've been to Divisoria, you must've noticed that the streets are covered with some mush-like 'substance' -- must be bits of paper, plastic, mud, vegetables, etc. mixed in with the rainwater and trod upon by pedestrians and vehicles alike, only to be re-mushed again every time it rains.

Session Road as Divisoria? It's not far-fetched.  It's happening in Harrison Road now that Ukay-Ukay is allowed during the evenings. That is only the start.

ADDA PAY NGATA TI DANUM?
Let's say global warming will be abated in the future. Let's say our average rainfall will remain the same. With the growing population will we still have enough water for everyone? Especially when our watersheds have given in to high rise residential and commercial buildings? Not to mention the numerous private water delivery services with their own deep wells, but, essentially siphoning from only one main source? A lawyer friend illustrated it to me this way: Imagine Baguio's water source as one large soft drink bottle. BWD has the largest straw supplying most of Baguio's water needs. All these private water delivery services are like little straws dipping into the same soft drink bottle! Egads!

Will we get our water from the northern provinces, say,  Kalinga? The way California gets its water from the Northern States? Can we afford such infrastructure? Will the cost be passed on to us consumers? Hello, will the province of Kalinga even allow that to happen in the first place?

Adda pay kuma ti danum in the future ta haan nak met nga agininum ti sopdlink!

BLIST IS THE WORD
There is hope, dear reader. Baguio-La Trinidad-Itogon-Sablan-Tuba (I heard they added Tublay) or BLIST should be enacted. If our leaders sit down and really think of the region's future, and not only Baguio's, BLIST is the only way to go. Of course it will be a tough and lengthy debate. Some may feel shortchanged. There will be clashes. There will be those who will not budge. (I am somehow reminded of Uncle Benny Carantes' recent tirades in his Baguio Midland Courier column). But in the end, it will be for the future generations. And a bright tomorrow is the best legacy we can give them.

In the book "Collapse: How Societies Choose To Fail Or Succeed" by Jared Diamond, he prescribes that mankind should get out of the 'It's Someone Else's Problem' mindset (ISEP). ISEP'ers are those who are apathetic. They do not care about the environment. As long as they're comfortable, ISEP'ers will not budge to change the status quo. Or to question existing laws. Or to make a stand. Not until they feel the heat.

We should adapt instead 'It Still Is Possible' (ISIP). Mag- ISIP-ISIP tayong lahat!


ps: I advice the readers to read Jared Diamond's "Collapse: How Societies Choose To Fail Or Succeed". The Chapter on Montana is, like, soooooooooo Baguio. And it inspired me to post this blog.
 
pps: I grabbed the photo from the internet. Whoever owns photo and wishes that I take it down, please tell me via comments page.





Friday, September 9, 2011

LET'S NOT BE APATHETIC AND UNCOUTH





Yesterday I started a page on Facebook called "The Baguio We Want" -- I was wanting for a 'venue' where concerned citizens  could get together and discuss issues that are of interest and relevance to the city. This effort was partly due to the numerous status updates I've read regarding the Irisan Dumpsite slide during the last typhoon and also the alarming concern of (mostly) mothers with regards to the disappearances of teenage females in Baguio. I was zealous in spreading the page to all my friends on Facebook.


Subsequently I made a petition also yesterday to take down the Billboards on Session Road.  Again, I shared the link with numerous friends and groups on FB. 


On the U.P. Baguio Alumni Association Facebook Page, I posted said link and immediately I got a comment. I am copy-pasting the thread for everyone to read. I have changed the person's name to 'Alumnus' to protect his privacy.


Alumnus: "yes remove na rin natin ang mga lahat ng sense of commercialization sa Baguio! Remove SM Baguio, remove na ang mga old buildings remove na natin lahat! remove na rin natin lahat ng tao para wala na problem ang mother earth! lahat iremove na natin!!! take them down"




Me: (I clicked on his profile and found out he works in advertising) "With all due respect Alumnus, I also work in advertising -- hindi nga lang sa print or billboards (mas sa TV and AVPs ako) anyway, let's not be defeatist about this. If you have gone up to Baguio lately, hindi naman talaga kanais-nais ang billboards sa Session Road. Ang gulo-gulo tignan. Some are almost even as large as the buildings they're on. Where is the sense of 'aesthetics' and Urban Planning here? Remember that the environs have a direct and great impact on the people within a specific community. Kung 'topsy-turvy' ang kapaligiran -- walang sense of order -- ergo, walang disicipline ang mamamayan, walang cohesion, walang civic pride.

Kung ang tao nga takes pains to make him/herself look presentable, can't we demand the same from our communites?!"



Alumnus: "Puki mo defeatist, simple lang yan. At hindi masyado maraming blah...

Occam's razor "the simplest solution is the best solution"

a. Sunugin ang Baguio and let nature take its course.
b. Kung napapangitan ka sa Baguio ngayon, wag ka tumingin.

Where's the sense of aesthetics? Where's the sense of blah? Puki mo... yung mga simpleng problema nga eh super pagtatalo eh. Yan pa kaya mga sinasabi mo na sense of togetherness. idealist twit"


Me: "You're contradicting yourself. Simple lang yan. Ayaw mong mag-sign ng petition. Don't sign. You have to resort to name calling?!"

Alumnus: "Feeling nagmamalinis ka. 

O sige na kalinisan ka na. Papetipetition ka pa blah! leche"






I left it at that.


My first reaction upon reading those comments was: 'And those exactly are the kind of people that make Baguio what it is today -- The Apathetic and Uncouth'

Now, the reason behind "The Baguio We Want" page and the "Take Down Those Billboards" petition is precisely to rally the citizenry to get our act together. We need to move and behave as one community -- a strong community that works with the system. And to ensure that the system works.

I am hoping that "The Baguio We Want" transcends from being a mere FB page and burgeon into a 'movement'. A 'movement' that is free from the partisan and divisive politicking of late. And I am engaging this in today's Social Media, because I believe these platforms are effective for social change as we have seen in other communities/nations.

"The Baguio We Want" is non-political and non-sectarian. It is likewise open to all citizens regardless of sexual preference, ethnicity, or demographic (social class, age, education). 

"The Baguio We Want" is Us! It is us ordinary citizens who want the same thing for Baguio and ourselves. We want a Clean Baguio. We want a Green Baguio. We want a Safe Baguio. We want a Peaceful Baguio.

So you may ask, what are WE going to do?

We can start by asking questions. And demanding answers. And to ask more questions if we're not satisfied. (Sometimes the answers are just a google away).

Let us also get involved in the transformation of our beloved city. Let's involve our children and family members. Let's get involved as students in our schools or as parents in PTA meetings. Let's involve our close friends. Let's get involved in our businesses and offices. Let's get involved in our Barangays. Let's get involved in our Civic Organizations, our Clubs, our Athletic Organizations. Let's get involved with the Media. You get the picture...

And then let's work WITH City Hall. With the Police, Fire, Health, and City Planning Departments. Let us let them know we are doing OUR part and that they SHOULD do theirs.

The Taking-Down-Of-Billboards is just the first step. Please sign the petition:



Thank You Very Much! Dios Ti Agngina kadakayo Amin!

Tuesday, August 30, 2011

BAGUIO CITY COUNCIL STINKS









Sometime in 1998 or 1999 I met a British guy in Manila. Upon learning that I was from Baguio City, he started ranting about our local politicians. Apparently, this guy was negotiating in behalf of a British Non-Profit that was hoping to put up an incinerator to solve the already burgeoning problem of waste disposal in the city. It was to be an honest-to-goodness Build-Operate-Transfer scheme as the Non-Profit was going to shoulder all costs. They were only asking that the City of Baguio provide the location for said incinerator. 

He continues to tell me that the City Council then refused to sign any agreement unless they be given "grease money". The British Non-Profit, of course, declined, and so they decided to leave and pursue their project in Vietnam instead.

The local council today likes to blame Mother Nature with the ever-convenient "force majeure" as an excuse. I say, blame it on the local officials. What happened at the Irisan Dumpsite is a direct result of their lack of planning and management and corrupt practices. They ought to be liable for this.

note:  I only met this British guy once, and I have failed to write down notes, nor get his name. It has been more than ten years since this happened. Had I been a blogger then, I would've been more meticulous in my gathering of facts. This is basically a recollection of that exchange. But I still remember though certain names he mentioned who were members of the City Council during that period. I think I shall go through the council's files to investigate this further. I also urge the local media to look into this as well.

photo by Harley Palangchao taken from abs-cbn news

Tuesday, November 9, 2010

THE OLD BAGUIO

(Photo courtesy of Kevin Engle. On left is Felicidad Reyes to her right is her sister, Manuela Vargas)



(I am posting excerpts from my Uncle Gras Reyes' essay "Embers In My Father's Fireplace" which saw print in the Ani publication The Literary Journal of the Cultural Center of the Philippines, Jan-April 1991 Edition. Kevin Engle a friend I recently 'met' on Facebook recently posted an album featuring old photos of Baguio City. In the album, I was surprised to find two photos of my grandmother, Felicidad Reyes, included. Those photos reminded me of these excerpts...)

"My father (Atty. Francisco 'Ikong' Reyes) married a market vendor, a "career" she started when she was a grade schooler. She would not be allowed to go to school unless she sold rice cake early in the morning. Before sun-up my grandmother would already have cooked rice cakes (puto) ready to be sold while hot and steaming.


"Her father died before she finished intermediate school. In his deathbed my grandfather advised my mother never to be without merchandise. Thus, my mother became a vendor all her life, selling fruits and vegetables in the city market. My father once told her to stop being a vendor because his law practice could provide more than enough for the family but my mother refused. My mother countered: 'Don't ever introduce me to your rich clients or your friends in high society because many of them happen to be my customers. When they learn that I am your wife, they stop buying from me.' but how could my father avoid introducing my mother to people?


"Elected as president of the Rotary Club of Baguio, president of the Lawyers League of Baguio, once a city councilor, organizer of the departments of law of the Baguio Colleges and of St. Louis College, and either chairman or member of several boards and communities of civic organizations and reputedly the number-one practicing lawyer in the city of Baguio during his heyday, my father had to attend important social functions where he had to bring my mother. My mother hated dressing up like society matrons, but she had to. And when she did, she was completely transformed into a pretty, affluent looking woman.


"My father once asked one of his clients in a party if his client knew my mother. 'Of course, I know her,' said the client. 'I met her a couple of times in other social functions. Besides everybody knows anybody's wife in this small city.'


"' No, you don't know my wife,' my father said, whereupon he pulled him close and told him to take a closer look at my mother.


"'Yes, of course, I know her. What's the matter with you?' said the client. My mother tugged at my father's sleeve and motioned him not to tell the client, but it was too late. My father said, 'She is the person you buy your vegetables from in the market.'


"The client turned pale. Aghast, he said, 'Oh, no.' The reason my father told him who my mother really was could possibly be the client's way with my mother when he bought vegetables and fruits from her. Not knowing that my mother, the vendor, was one and the same person as the wife of a successful and popular lawyer, he was discourteous and bossy and ordered my mother as though she were his servant. 'Put those vegetables and fruits in the bag. See to it that nothing gets crushed. And   bring the whole bag to my car. I don't have time to go around the meat and fish sections. Buy me some meat and fish. I will wait here in my car.' My mother would quietly obey. That was how she maintained him as a customer. But due to my father's revelation, she lost him as a customer. The client became a mayor of Baguio in spite of himself. People say, however, that it was during his term that Baguio plunged into its most decadent period. Gambling and prostitution became rampant.


" As a toddler I was brought by my mother to the market and allowed to play on the cement flooring while she tended to her store. The market, she said, was clean, 'Peep under the stalls and you can see the market from end to end -- no trash. It was common to see mothers pushing prams while doing marketing.' My mother also said that she could leave her store untended and nothing was stolen; she would come back the following day and her fruits and vegetables would still be there as they were when she left them. Sometimes she would leave petty cash in her cash box and no one bothered to open it nor steal a single centavo. By today's standards, that was too good to be true. But my mother said it was that way in Baguio before the outbreak of World War II.


"Incidentally it was my mother who first made and sold straw flower garlands, better known as cuentas nga everlasting. She also introduced strawberry jam, as taught by an American missionary. The Good Shepherd Sisters used to buy strawberry jam from her and later they made their own.



"The public market was never crowded except during the Holy Week when many visitors from Manila came up to Baguio. During the Holy Week Baguio was transformed from a sleepy village into a bustling city. After that burst of activity the city once again slowed down. And when the rainy season set in, the place became cold and gloomy. For me the dreariness was compounded by the beginning of school days. Relatives and friends who stayed with us during the the months of March, April and May all went home to Manila after the 'summer' session of the Supreme Court and Court of Appeals in Baguio. The gaiety of three months -- the picnics, excursions, movies, games, parties and rain-free days -- changed overnight into gloomy, somber and tedious school days."





Monday, November 1, 2010

MY VERY FIRST BROWNIE



I learned to bake at an early age. Like most kids, my first venture into baking was the brownie. It was my cousin Pia who gave me the recipe and taught me to bake. Later on I graduated to making banana bread, scones, muffins, pastries, cheesecakes. Everyone has cooked brownies. Brownies with cashew nuts (or other nuts), marshmallows, raisins, etc.-- or a combination of the above. One summer my cousin Dimbo stayed all day playing in the sand at the beach. He grew so dark we called him 'brownie' the rest of the year.  

At the UP College Baguio in the 80's we sometimes made and ate 'adult' brownies. My dear friend Joji (bless her soul) gave me my first brownie. Although I am not/wasn't ever really gung-ho over marijuana, I do have fond recollections of the organic stuff. Joji was batches older than I was but had stopped school for some years and by the time she got back to the university we found each other sharing same classes, our major being the same. That particular morning in the campus, I saw Joji yet cramming for another exam and had joined her. She was nibbling on some brownies (at 730 in the morning) and offered me some, with a wink. I got a small piece, with a smile. We started out studying, sharing our notes and books but ended up talking, laughing, tripping on the grass (the grass growing out of the pavement in the front of the lobby), smoking our cigarettes continuously and still laughing some more. Our light-headed giddiness carried over to our classroom wherein our teacher in the middle of the exam asked us to leave the room with our bluebooks and all. We both did pass the course just the same. And became good friends. 

Joji was way out cool. She had a nice shag, comfy jeans, hi-cut reeboks, and an old beat-up chedeng she inherited from her father. One time she picked me up from the house and brought me to the top of Wright Park past the lake of Mansion House. Once there, she got a bottle of rhum from her bag and toasted to yet another boring schoolday. Yes, she introduced me to rhum too. Rhum that we drank by shots followed by coke. (The softdrink, mind you.) Or whistles when no chaser was available. 

Joji was the first friend I 'came out' to. It wasn't at all dramatic. Although my other friends in high-school and college had probably known I was gay, just like in my family, the matter was never discussed. With Joji however, out of the blue, she one day asked me, "Do you have a boyfriend?" She sensed my unease and apprehension (I was a tight-lipped closet case) and continued to rib me; "C'mon Marts, you can't be a virgin all your life!" That did it. She broke the ice. We laughed all morning. She talked about her present love life, I talked about my fantasies. We drank some more. I trusted her not to tell any of our other friends. She didn't say a word.  

We drifted apart after college but during Baguio's earthquake I sought out Joji. She was now renting a room in Jungle Town and had camped out with the neighbors in an open lot in the area. She introduced me to her new friends over bottles of Tanduay. She was still the same old, jolly Joji I thought. We vowed to keep in touch and we did occassionally. We got together at least twice a year. She eventually had two kids by her boyfriend. Two adorable kids who competed with me for Joji's attention whenever I would visit. It was during this period when I was drinking my heaviest and at the brink of a major depression. But Joji picked me up. Reassured me that all will turn out for the better. She had this sense of calm and a way with words that made me feel secure. She wasn't doing all that well either but she had optimism and confidence that we would both get out of the rut we were then presently in. Wherever she is now I am grateful to Joji for instilling in me a sense of hope and the resolve to fight pressing exigencies. 

A friend of mine has the following as one of her earliest memories of her childhood. She once owned a dachshund whom she really cared for. Once her (groovy) mother cooked 'adult' brownies and left them on the table to cool. A few minutes later, my friend saw her dog lying on its back, seemingly lifeless. He wouldn't budge or even move when his name was called. He neither did flinch when cradled. My friend saw traces of the brownies scattered on the table, chairs, floor and on the dog's mouth. My friend cried out to her mother; "What did you do to my dog?!" To which her mother screamed; "What did your dog do to my brownies?!!!" End of story. 



Wednesday, October 27, 2010

CAFE AMAPOLA PART 2

(Photo Courtesy of Ernesto V. Enrique)


I must have been in Freshman High School when I first stepped into the Art Gallery on the second floor of Cafe Amapola. Michelle Soriano, a friend of mine who was a year ahead of me in high school, had asked me to accompany her to the opening of a group exhibit. She had to choose an artwork and submit a critique of it for her English Class assignment. And so we went and had just caught the tail-end of the opening ceremonies. It was late afternoon and there were people crowding all over the space. 


Michelle was drawn to one particular artwork. It stood out amongst the rest because it was drawn on an oversized intermediate pad -- the ones kindergartners usually use to practice writing the alphabet. It was lined in blue and red. The main artwork was like a kid's scribbling or doodling. I nonchalantly told Michelle: "But, I could do that?!" She answered: "But you didn't think of doing it first!" I left it at that. I Looked at the other works on exhibit and went back to the one Michelle had singled out. She leaned over my back and whispered "See, you can't get your eyes off it?!  It's the idea (or did she say 'concept') behind it."


 I then thought : AHA! The work was by the then budding artist Rock Drilon. 


In college, the Angel's Trumpet Bookstore was replaced by The Pub. It was more like a piano bar where blind musicians would play. At one point, Dave Tabligan (bless his soul) would play the piano. And then he suddenly disappeared from the Baguio Scene only to come back in the early 2000's and play the piano at The Manor. Medical students from SLU would also hang-out there. I remember Dr. Dennis Flores, then a medical student, take over the piano and play while his buddies would take turns singing.


Beer was 8 pesos a bottle. The Molo Soup and Camote Bread were favorites for us students. I usually ordered Reuben Sandwich for take-out when I would travel to Manila. I'd wait at the Cafe for the midnight Dagupan Bus Trip and eat the sandwich at the stopover in Pangasinan. It was at the cafe where I first tried eating artichokes. No big deal. I think they must've served the canned variety. Churros con chocolate on sunny afternoons or rainy evenings was perfect.


Amapola was the drinking place for us UP Baguio students. We would walk from campus and converge either in the pub or outside by the sidewalk. We hobnobbed with local artists the likes of Tommy Hafalla, Willy Magtibay, Rene Aquitania, Santi Bose. The cafe was bohemian in character. The old structure was refurbished by its new owners but kept the old flooring and basic structure. There was an old jukebox by the entrance and loads of mounted posters of art films or exhibits lined the walls. By the entrance of The Pub was a table fashioned from driftwood and stools to match it. The winding, wrought-iron staircases complemented the vintage mosaic tiles of the comfort rooms. 


The Pub had a mezzanine where throw pillows were strewn for a more relaxed atmosphere.  The cafe's logo/font was art nouveau reminiscent of the Paris Metro. The cafe attracted rightists, leftists, artists, homosexuals (latent and otherwise), foodies, fashionistas, backpackers, etc.  all converged there. There would be the occasional 'artista-sighting' -- like Richard Gomez or Aga Muhlach -- whence we'd give them the Baguio-snub and act like we didn't know/recognize them.


Sometime in 1987 or 1988, while we were drinking outside, a group of 8 or 10 Americans stepped into the cafe. They seated themselves in the table directly across ours although the glass pane separated us. Suddenly, one of us pointed out that one of the men looked like Tom Cruise. This was no coincidence since we knew that Tom Cruise was filming "Born On The Fourth Of July" in Ilocos that month. We figured he must've taken a break and come up to Baguio for some R&R. We were all excited and were trying to convince each other to go inside and ask him if indeed he was The Tom Cruise! But we chickened out. We were shy. Despite the beers we had drunk, we didn't have the guts to go inside. The Americans of course were basking at the attention and fuss we were 'throwing' their way. My female friends were acting 'kikay' just to get their attention. I could swear that that was Tom Cruise! We never got to validate it though.


It was at Amapola where I affixed my name and signature in the petition seeking One Million Signatures to convince Cory Aquino to run in the 1986 Snap Elections. My mother was active in the Cory Campaign. Along with other relatives and friends, and the Coryistas from Manila -- Mama would go join the rallies, fund raisers, motorcades, leading to Election Day that February in 1986. I remember  the night before elections, Mama and my Auntie Tessie were busy preparing sandwiches to be distributed to the poll watchers. They delivered these sandwiches along with other donated food stuff at the basement of Cafe Amapola where it was transformed into a Yellow Base for the Cory Supporters. A few days after elections, somebody threw a rock (?) and broke the window on the Pub side. It was supposed to send a warning to all the Cory Supporters. The owners of the Cafe were not intimidated and punctually replaced the window pane and put up a steel accordion gate on both the Pub and Cafe sides. Business as usual.


We, UP Students had friends from SLU who were also habitues of the cafe (mostly my Brother's Barkada) -- there was Arel 'Lamang' and Steve Limpin and the rest of the Limpin Clan. I remember Steve and his motorbike. He would allow us at times to ride with him at night. Once, he hitched Nina Ledesma as they went zooming across town. Nina however had to pee really bad and so they stopped at the funeral parlor along Naguillian Road, Nina steps off the bike, enters the first chapel she sees, gives her condolences to the people inside, hurriedly goes into the Chapel's comfort room to relieve herself, then bids everyone goodbye! HAHAHAHAHA!


There were also the Fil-Am Boys from SLU who were friends of Ferdie Balanag and later on got to hang-out with the rest of us. Emma and Jimil became an item. The Fil-Am Boys would bring their US Passports during Election-Liquor Ban nights and would be served beer. They would then pass on some to us, Philippine Passport Holders.


The Cafe saw relationships come and go. I know of several couples who first met there. I know of at least one couple still going strong today. They were both reeling from their failed marriages when they first met at the Cafe. But, more than twenty years later, they're still in each others arms. Awwwwww!


The sidewalk tables were perfect for people-watching. Baguio then was not so populated nor polluted. During Christmas we would see Karla P. Delgado (Her mother Peachy Prieto owned Cafe Amapola) on break from Harvard University. All the boys had a crush on mysterious, angelic Karla. But they were either too torpe or too stoned to muster enough guts and introduce themselves. I can count on my ten fingers the number of boys who were broken-hearted because of Karla.


My best friend Carol and I would hang-out at the cafe almost every evening. The last night we were there, we had agreed to meet up again the next day at 5:30 pm.


We didn't make it. The next day was July 16, 1990.


(Photo Courtesy of ramny.toralba's photostream on flickr)

Tuesday, October 26, 2010

CAFE AMAPOLA








The pre-earthquake Baguio had Cafe Amapola at the top of Session Road. Beside the cafe (in the same building) was 'The Angel's Trumpet Bookshop'. It was a first in Baguio that carried esoteric and art books. I used to tag along with my mother to the establishment, she being the accountant of both the cafe and the bookshop. At the onset, my mother supervised the inventory of the bookshop. We had to list down each and every book, magazine, catalog, map, artwork or whatever was being sold there, a fairly easy job for a grade 5 student like myself. I liked going to the bookshop because I was in awe of all the characters there.  The 'Angel's Trumpet' had attracted a number of artists from both Manila and Baguio. Free spirits who dressed outrageously, had long hair, worked on the set of 'Apocalypse Now' and clutched in their hands a copy of Ermita magazine all dog-eared. During inventory breaks we would have snacks at the cafe. We partook of freshly baked camote bread or churros con chocolate.  

There was a curiosity on top of the piano though, a glass jar filled with what looked to me as some sort of fish or meat in some even stranger sauce. I thought it was some offering to whomever those artists were venerating. And while I was intrigued by it, I dared not speak about it. Or even stare at it for a long time thinking it possessed some magical powers. On our last day of inventorying the bookshop I went next door to the cafe to ask for a glass of water. While waiting for the waiter to hand me my water, I marveled at the glass jar. Its contents gleamed with the sun's afternoon rays. The waiter must have caught me staring at it and asked me if I wanted to try it -- the salsa monja.  

With eyes open wide I imagined an old, evil nun stirring a brew over an open fire. The waiter must've seen my scared expression and hurriedly offered me my glass of water and promptly sat me down probably thinking I was about to faint. He assured me it was delicious and said I should try it with a piece of bread. He entered the kitchen and later came out with a slice of bread on a plate and holding a spoon with the other hand. He got the jar from the piano, opened it and asked me to sniff the contents. He did it as if the jar was a puppy and he was asking me to pet it.  

The salsa monja had a rich, briny aroma. It smelled like olives, star anise, and even anchovies, its pungency both revolting and appealing. The waiter scooped out a heaping tablespoon and poured it beside the bread on the plate, dripping the last few drops on the bread itself. Not an ounce wasted.  Images of the evil nun flashed before me once more but now morphed into a wicked queen awaiting my consumption of her nasty potion. It must be really special and expensive I thought instead to shake me out of my stupid fantasy. The waiter then instructed me to dip the piece of bread on the salsa monja. I remember closing my eyes upon putting the food in my mouth, preparing myself for what I thought the waiter would reveal to me. Here I go again, I figured I'd rather not look at the frog's legs, newt's eyes or whatever it was that was in it.  


I have no words to describe how the salsa monja tasted. Salty, aromatic, biting and sharp all do not give justice to the pleasure I had tasted. I would liken the experience to that first moment when you finally learn to ride the bike. Or learn to swim. That crucial moment when you know you are balancing on your own. No adult holding the bike at your back. Or when you first float sans the hands of your instructor on your belly or floaters on your arms. That fleeting magical moment of sheer joy when you know it is you and you alone making that bike go on or making you sway with the tide of the water. Extreme joy yet replete with uncertainty and danger. That very instance, suddenly alone, and no one or nothing seems important because you had crossed that line towards a new discovery.  

That was the effect salsa monja had on me. I was oblivious to my surroundings, savoring each mouthful slowly, absorbing the textures in my palate, my tongue swirling the varied flavors. I hoped that the portion given to me would last longer but I was not willing to stop eating just the same. I kept that a secret for the longest time. Thinking I was the chosen one amongst many to imbibe an edible mantra of sorts.  Selfishly guarding it from friends and family. I would never get to taste salsa monja again despite repeated dreams and fantasies of it.  

In college, we would hang out at Cafe Amapola. The former bookstore now converted into a piano bar. While the molo soup, the oysters rockefeller, reuben sandwich or even the paella at the cafe were delicious, I still yearned for the salsa monja which now was absent from the piano top. It never really was on the menu. Years after I learned that the salsa monja at the old Cafe Amapola was cooked by my neighbor, Laida Lim-Perez. Her daughter tells me that she hasn't made some for quite sometime now. There still is hope. I hope.  

In the early 80's my mother and I enrolled in French lessons at the second floor of Cafe Amapola. The second floor was also an art gallery. Our teacher was François Bocquet, a mime artist who was married to Stephanie a Filipina who was then writing her dissertation on Astrology. We were about twenty in the class, me being the youngest. Classes were held thrice a week, scheduled in the early evenings. We were given photocopied pages of a French language instructional that was more like komiks. After three weeks, we were informed that the classes were cancelled and that Monsieur Bocquet and wife had left for France. So that was the 'french leave' I had read about, I thought. The only thing I remember learning from that class was 'Voila! Un taxi!' which I would use each night at the sidewalk outside the cafe when my mother and I would hail a cab.  


note: this is an excerpt from the essay "A Few Of My Favorite Foods" which I wrote ca. 1999 - 2000


(Photo Courtesy of Quaximodo Wye aka Roberto 'Boy' Yniguez)

Sunday, October 17, 2010

LADIES WHO LUNCH


I was sifting through my stuff last night and chanced upon one of my grandmother's cookbooks that I've kept. It is old, stained, dog-eared, torn, stapled with other hand-written recipes or cut-outs of recipes from other magazines. I am talking about "Our favorite Recipes -- Monday Afternoon Club" published by the same group in Baguio City, 1963.

Yes, the cookbook is older than me. It's as old as my brother. But he doesn't cook. Anyway, I read all the way through the book (it's not that thick, after all) and truly imagined how it was when slow-food was the norm. The foreword of the cookbook reads:

Monday Afternoon Club of Baguio was founded in 1933 by Americans living in the Philippine Islands. Now it is a cosmopolitan women's club, still predominately American, devoted to charitable aid to Filipinos in a number of widely differing ways.


It was thought that the favorite recipes of such a group of women would be unique in their international derivation, and would be of wide interest, whilst the sale of the book would bring much needed money for the charitable projects.


Some of the recipes have been contributed by friends of members generously giving the club their well-tried favorites. A few of the recipes are similar but none is exactly the same as another. The result varies slightly to suit different tastes.


To make the book readily understood by all, the editors have included a table of metric, avoirdupois and other equivalents, a glossary of foreign words and hints on adjusting quantities for altitude.


We in the Philippines wish you all GOOD COOKING!


Nowhere in the cookbook are we to find out, however, who the editors were. In the page fronting the foreword, there is on the lower right side the printer's name (Baguio Printing) and below it is written "Weaving by: Easter School". There are no photographs that accompany the recipes, so I presume the cookbook must have come with a woven satchel. Or perhaps a woven bookmark? The book is divided into sections like Hors d'oeuvres, Soup, Salad & Dressings, Bread & Rolls, Fish, Poultry & Sauces, Meat, Cheese & Sauces, etc. Below each recipe is the contributing member's name.

One would notice, that even though most of the members were American, the recipes they shared belied their European roots, and so you would see Swedish Cabbage, Berlin Doughnuts, Sauerbraten, Irish Stew Casserole to name a few. American regional cuisine is also represented in the likes of Bostonian Spread, Virginia Chicken-Apple Salad, Baked Salmon (New Orleans), North Carolina Brunswick Stew (this last one shared by Betty Ploeser wherein she writes at the end; "Tar Heels like this dish served with hot corn bread and a green salad").

There are a few Filipino dishes shared by some members. It is not surprising that these dishes are deemed classics when it comes to Filipino fare. And so you have Pancit Luglug shared by Joving Santiago, Coco-Chicken Adobo by Mary Ann Rosales, Morcon  and Chicken Relleno by Jolly Serron,  Pancit Molo by Margarita Kolodzik, Fried Lumpia by Martha Plagens and Empanadas by Madge Melton. I am curious to try two recipes shared by Violeta H. Adorable -- Potage de Garbanzos and Chicken Hinalog. The Chicken Hinalog being a dish gently simmered with tender leaves of the Tamarind and seasoned with patis.

Nowhere in the book will you find the mentioning of pressure cookers, microwave ovens, or non-stick skillets. Meat and Chicken stews were simmered for hours until 'meat easily separates from the bones'. Canned produce is rarely used save for evaporated and/or condensed milk. Other packaged items used were the usual flour, butter, baking powder and soda, sugar and salt of course, and the ever popular jell-o and marshmallows. Ditto raisins, dates and nuts and olives. Otherwise, all ingredients were deemed to have been bought fresh at the market. Pyrex was popular for the casseroles. Casseroles having the most entries in the cookbook.

My grandmother checked the recipes she had tried (the fountain pen's ink now a light brown) -- Empanadas, Ice Box Cake (the recipe called for peaches, but my Lola would use ripe mangoes instead), Pancake (from scratch) courtesy of the Baguio Country Club, Polvoron, etc. Lola didn't tick off any recipes for cakes or cookies, understandably so because Lola never baked. It was us, the third generation of cousins who would use the oven.

The recipes are easy to follow. Instructions are simple. Most ingredients were and still are available year round. That I think is the reason they did not include photographs. There is a recipe for The Original Chicken A La King by Ruth Pearson and is truly reminiscent of those toast cups filled with chicken that was popular up to the seventies during kiddie parties or luncheons. Baguio Country Club's Gazpacho and Raisin Bread are also included. The Twenty Four Hour Bean Salad and Roquefort Whirl Salad Dressing by Lourdes Gesner are both  tempting.

Here are some curiosities: Coca-Cola Salad by Martha West is a dish made from Raspberry and Cherry Jello, cherries, nuts, cream cheese, crushed pineapple and 2 Coca-Colas (8 oz. I presume as there was no other variant then). There is also the recipe for Ginger Beer by Elizabeth Mackenzie wherein she warns: "Leave for 24 hours then strain and bottle. Keep in the refrigerator or the bottles may burst." Or how about the recipe for Bar-Talk! by Sally Nordstrom -- it is a concoction of Scotch or Bourbon, pineapple, grapefruit and calamansi juices and soda poured over ice then garnished with orange slices. Ms. Nordstrom adds; "For holiday sparkle, float aluminum cut-outs with lighted birthday candles." Could Bar-Talk! be a pun on the highand term for drunkard i.e. Bartek?! There are also recipes for Clay and Home Laundry Soap. (For the very bored housewife, I guess).

The Buffet Supper For 100 contributed by Ditas Valles is as follows:

Smoked Beef Tongue
Roast Loin of Pork with Prunes
Rolled Roast of Veal
Ravioli in Tomato Sauce
Potato and Bacon Salad with Mustard Dressing
Sweet and Sour Red Cabbage
Lettuce and Sour Cream Salad
Cucumber Salad
Picked Beets
Pan de Sal                      Rye Bread
Dessert: Assorted Cheese Garnished with Fresh Grapes
Served with Crackers (salted & unsalted)
Fruit kabobs
Pineapple Chunks         Fresh Strawberries
Melon Balls        Lychees
Irish Coffee

(The recipes for the items above are seen in the succeeding pages of the cookbook)

There are numerous recipes for Apple Pie and its variants. Also loads of Chocolate Cakes. Towards the end is an Herb Chart naming various herbs and their more common and acceptable uses. There are also tips for High Altitude Baking (eg. Sugar; decrease for each cup -- for 3,000 feet -- no change; for 5,000 feet -- usually no change; for 7,000 feet -- 1 to 2 tbsps.)

In the section titled Treasure Pots: 40 tips for the homemaker is given. Here are the gems, I am suddenly reminded of Martha Stewart:

        No.  2: Toasting bread on your waffle iron is a nice change.
        No.  3: Place waxed paper over the butter knife to cut butter squares for serving.
        No. 17: Potato peeling and vinegar boiled in a kettle will remove lime deposits.
        No. 18: A handful of salt added to the rinsing water in winter will keep clothes from freezing to the
                     line. (Baguio had winter in the 60s?! See also number 37 below)
        No. 20: Egg white is useful in removing gum from clothing or hair.
        No. 22: To preserve bouquets: Put saltpeter in the water you use for flowers. Flowers will then keep                         
                     for 2 weeks.
        No. 23: Tea towels starched slightly will leave no lint on dishes.
        No. 35: Hot salt water poured into sink and drains helps to keep them clean and odorless.
        No. 37: Keep windows free from ice in winter by rubbing the panes with a sponge dipped in   
                     alcohol.

After this section is the page on Spot and Stain Removal Chart, which I am going to skip as modern day techniques/products abound. Or we're not just that attached to our articles of clothing as they were back then when clothes had to be made by the family seamstress or the tailor in downtown Session Road. Nowadays, it's off-the-rack, ready made, mall issued clothes for most of us.

I couldn't help but smile while reading the recipe for Beef Stew Margarita by Jerry Reed. It is written in a rush. She rattles off the ingredients and the procedure and mutters in the end; "Soothing for disgruntled males!!!" 

hahahahahaha   :-)


I leave you now with Lupita Coromina's recipe titled simply: DUCK

1 young duck, disjointed
Strong Beef Stock
Salt and Pepper
3 Doz. Olives
2 Onions

Chop the onions, duck liver, gizzard and heart with 12 stoned olives and mix well with sufficient hot stock to cover duck. Add seasoning and stir well until sauce is thick. Place pieces of duck in sauce and simmer for 1 to 1 and 1/2 hours. Add remaining olives and serve.

Monday, June 14, 2010

LOLA FELICING'S STRAWBERRY HOUSE


(Felicidad Reyes 1912 - 1998; shown in center cutting cake)

Legend has it in the maternal side of my family that the first effort to commercially produce and retail the now famous Baguio strawberry jam was originated by my mother's mother, Lola Felicing. I cannot confirm this with her now for obvious reasons; my Uncle Joe, however, swears by the story's veracity.  

Felicidad O. Reyes was born in Domalandan, Pangasinan in 1912. Her mother Bai Insiang was a woman of questionable repute. Bai had borne 4 children from two different men, a grave scandal in those early American colonial days. Stories abound amongst relatives of how Bai Insiang would go from one town fiesta to another, expectedly getting drunk or gambling for days on end. She came to live in Baguio during her last years as Lola Felicing deemed it her duty to take care of her mother, she being the eldest child.  

Like most rural lasses of her time Lola Felicing went on to study a vocational course after graduating from high school. She had already met my grandfather then but she was determined to further her education before getting engaged. Attending town fiestas did not appeal to her. Nor did gambling.

Lola Felicing was taught by the wives of American missionaries. In vocational school she learned to sew, do needle craft, keep house, do laundry the proper way, administer first-aid with home remedies and, alas, to cook, her specialty being food preservation. Upon graduation she married my grandfather who had just come home to Pangasinan after having finished his law studies in Manila. Thus they moved shortly to the promising upland that was then the young Baguio City. The Americans built Baguio as their resort city, a respite from the tropical summers of Manila. Here they ventured into farming, mining and evangelism that they carried further up north. Aside from the American names of our streets and parks, the strawberry is one legacy of that occupation. 

While Lolo Ikong was reviewing for the bar exams, he was employed in the Balatoc Mining Company's Lime mixer section. Lola Felicing on the other hand was a vegetable vendor in the old city market. Bai's last advice to her young daughter before embarking towards the city up north was "to always have something to sell, to be able to provide food on the table." Sound advice indeed, but how a hedonistic woman like Bai could come up with it is beyond explanation. 

Lola's entrepreneurial efforts eventually led her to owning a vegetable and fruit stall in Baguio's City Market. Like most lowlanders who migrated to the city, she took advantage of the burgeoning economic climate. Baguio was then still a favorite R&R destination catering to rich families from Manila and expatriates alike. The educational center that it is today was just starting. 

Through the years experience, had turned her into a true vegetable/fruit expert.  With one look she could tell if a bunch of bananas were sweet. With another whiff she would know exactly when the same bananas would be overripe and thus not suitable to sell to her discriminating clientele. With one caress she could predict when a banana would be ready to eat or yet be stored for a few more days before set out on display. And so it went with avocados, pears, cherimoyas, chicos, papayas, strawberries, tomatoes, potatoes, broccoli, peas, cauliflower, carrots, etc. or whatever was in season. So precise was Lola's expertise that she had become quite known for having the freshest, sweetest produce. This fame carried on to the exclusive villages of Makati and select restaurants in Manila all the way down to the Visayas and Mindanao where Lola would send her produce to clients on a twice-weekly basis. 

Strawberries are available in Baguio starting November. But as always they are most expensive during this time. Come January all the way to the summer months when strawberries are aplenty, the production of strawberry jam would commence. I don't know if it was by sheer chance that Lola decided to cook overripe strawberries into jam for home consumption so as not to let these waste or if it was a conscious effort on her part (at the start) to market strawberry jam. And while Lola made rhubarb jam, blueberry jam, marmalades, achara and other preserves, her strawberry jam was the most successful. 

My grandfather built the strawberry house for Lola Felicing at the back of the main house. It was a single detached unit at the end of a flight of steps next to his poultry. It was made of cement. The hearth was one long rectangular stone and cement piece with a stainless steel chimney attached at the end. The wood-fueled stove had an iron 'gate' which we cousins liked to play with. There too was an adjoining storage room where boxes upon boxes of bottled strawberry jam would be kept to last the whole year. That's how much jam Lola Felicing made yearly. (I remember the old, blue D&S Grocery Van coming over to the house, not to deliver groceries, but to buy strawberry jam from Lola which they would sell on their shelves. Proudly I would tell classmates that Lola made those jams, but they wouldn't believe me because D&S would have their business tag on the bottles. So okay, Lola wasn't a franchise.) 

Only the overripe strawberries or those with pockmarks or mush would be used in production. The fresher ones remained in the store to be sold. At the height of strawberry season, jam-making would be a 24-hour endeavour. The second generation of uncles and aunties and extended relatives would horror us with stories of how they would labor way into the wee hours just making strawberry jam, even during their finals week. Lola would admonish them to finish their task even before they could get their hands on their notebooks to review. We members of the third generation did not go through that. 

Like the cashew, the strawberry is a strange fruit. Its seeds are outside. In Botany I later learned that the seeds of the strawberry 'are the real fruit' and the flesh the receptacle to which these hang on. Ditto the cashew. Weird! Anyway, the process of making jam is tedious. As children we were given the more menial tasks of production during summers. Strawberries brought home from Lola's store were first brought down to the strawberry house and sorted out in big steel basins, later to be replaced by plastic colored ones. These strawberries were then, one by one, de-leafed. With a short but sharp knife in one hand we would pick a strawberry with the other hand, cut the green leaf on top, then check the body for any imperfections. We would take special care to slice off any 'rubbery' portion,  tossing it into another basin with the other de-leafed strawberries. The discarded portions would be mixed with other food scraps for Lolo's pig.  

If one happened to choose a large strawberry this would be cut into two, lengthwise. If it were even larger, this would be cut into four, lengthwise and crosswise. The tiny ones, like children, were spared that hacking. They only got bald like the rest of the strawberries. I used to imagine the strawberries were people. Man or woman, their leaves as hair. The large round ones were mothers, the large pointed ones were fathers, the small round ones little girls and the small pointed ones were little boys. The really large pointed ones I imagined were grandfathers, imposing and strict like Lolo Ikong. Sometimes we would chance upon 'freak' strawberries, really deformed fruits that took on the shape of a pig or an elephant. Sometimes there would be siamese-twin strawberries. These I would spare from hacking into two and secretly tuck under the other strawberries to try to look for  later when they were in the vat cooking over the fire being furiously stirred. (When I watched 'Schindler's List' I was reminded of Lola's strawberry house with that one scene where bodies were piled up ready to be incinerated.)  

When the last strawberry was done and tossed along with the others all these would be carefully washed in cold water, carefully, so as not to mash them up, then strained in steel colanders. This is where the kids' job ended. My Auntie Celia who oversaw production would now carefully measure the strawberries into a cup before placing them into the big steel vats prior to cooking. We all had to keep quiet lest she lost count on how many cups of strawberries had already gone into one vat. Then in proportion to the number of cups of strawberries she would then proceed to measure the white sugar from the sack into a separate clean cup and start counting again. The sugar now looked like snow capping the strawberry mountain.  

All these while Uncle Rudy or the next adult male around was already building the fire. Firewood stacked at the left side of the entrance to the strawberry house would be brought into the furnace. Like all kids fascinated by fire, we would huddle by the hearth and watch and listen to the crackling of the wood. We would also await that crucial moment when the center of the strawberry-sugar mixture would start to erupt. We would scream with fervid delight "Krakatoa! Krakatoa!" as jets of red liquid streamed down the top like lava and an occasional strawberry tumbled down with it, driven by molten sugar. Our screams would serve too as an alarm for the oldies for the next stage to begin.  

Once it boils, a special technique in mixing the jam is used so the mixture does not overflow and burn into the stove. The adults were the only ones assigned to cook strawberry jam.  more important reason I now suppose is that getting splattered by cooking jam can leave a really ugly pockmark not to mention the stinging pain one has to endure. For this, the adults always wore long sleeves or sometimes even gloves or a clean pair of tube socks over their arms.  

Cooking the jam seemed to me an eternity. Only Auntie Celia was sure if the jam was ready to be taken out of the fire. Throughout cooking and stirring, a steel ladle was used to skim off any bubbles forming at the surface. These were flicked off into a separate small steel basin were we could dip our fingers (if bread wasn't available) and savour the sweetness and warmth of strawberry essence. Once cooking was finished a big steel pot, quarter- filled with water, would be set to boil. 

The vat of jam now on the table would be scooped into individual bottles. Like production quality control supervisors, the adults would stir the scooped jam with steel knives, looking for imperfections, dark objects that came with the not-so-refined sugar or any insect that may have found a hole in the screened windows and jumped into the jam. This also ensured that the strawberry chunks would be equally dispersed throughout the bottle. Once the water boiled, bottled jam would be placed in the pot for sterilization. The end result, chunks of strawberries adrift in a rich, dark red syrup. No crystallized sugar and spreadable on bread or ready to top on fresh fruit or pastry. Loyal customers have sworn to Lola Felicing's jam, still by far the best. Once sterilized the bottles were taken out to cool and sealed, counted and inventoried.  Vats and pans and ladles and scoops were washed in the sink. The fire put out. The floor scrubbed. Packed in boxes the bottles were then kept in the bodega.  

The actual cooking of jam is the best part in the process. At this point we all got to relax a bit since only one or two persons would be stirring the vat/s. Unless of course a second or third, even fourth, batch of raw strawberries had to be prepared again. It was during these times when stories of the past were relayed to us by the oldies for entertainment, stories of their youth, of the war. 

Wartime stories told to us of the third generation were almost always comical in nature, at times exaggerated too, always to make the storyteller the 'hero' in his tale. When war struck Baguio, the Japanese presence had been around for quite sometime. Lola told us of times when 'mickey mouse' money had to be carried in bayongs. The tension, the uncertainty could still be traced in her tone. When Baguio was bombed, my grandparents and their children and a host of other relatives and friends had to flee back to Pangasinan by hiking. It was in this bleakest time that Lola told us of the worst meal she ever prepared for the family.  

Along with their most important belongings, Lola had brought with her the hide of a cow. I forget now what initial purpose it had for her, but when their food supplies ran out, Lola  devised a plan to feed the group. She set out to boil the hide for a whole day to soften it up. She then cut the hide into pieces, returned these to the broth and only with salt, served the soup into bowls, equally dividing the 'meat' and distributing it to their contingent. 

Of course, Lola told us this story the way adults tell stories to children with the intention to entertain them, with much fanfare and gusto and relish. But somehow I sensed Lola's pain at that moment when she actually had to serve the broth. I imagined her putting a brave and stern front the way she used to discipline us. But I also can't help picture her at that moment, her eyes welling in tears, betraying the strength she had so tried to keep up. Did she engage words with Lolo? What did they say to each other? Or did they just give each other that 'knowing glance' husbands and wives give each other during times of crisis? Or did they avoid looking into each other's eyes completely? I cannot ask Mama, she was too young to remember. Or she perhaps has chosen to forget. 

My cousins and I have fond memories of the place. We used to play a lot in there. Beside the kitchen, Lola had planted an assortment of fruit trees, vegetables, vines, etc. Not so conscious of landscaping, I figured she threw dried seeds on the ground and waited till they sprouted.  We had passion fruit, lime, coffee, mulberries, squash, figs, Spanish tomatoes (tamarillos) and the Baguio household staple: sayote. The passion fruits were fiercely guarded by all. We would engrave our initials on the still unripe fruits to reserve them for claiming when ready to pick. 

The coffee beans, when ripe, would be picked, peeled, sun-dried, peeled again then roasted before grinding. Sometimes we couldn't resist sucking on the ripe coffee beans, they had a sweet flavour to them. The mulberries were plucked from the bush and washed and eaten with salt. The lime we squeezed for cold juice or its rind grated for leche flan. 

The Spanish tomatoes were sour but looked good as decor on the table or props during bahay-bahayan. My brother used to eat Spanish tomatoes with condensed milk, while the rest had pan de sal with whirls and doodles of the sweet milk. The figs for some reason never ripened so they were used as props as well. Often I would play tinda-tindahan with my younger cousins. The sayote we would slice lengthwise and sell, pretending they were pork chops. Figs were miniature papayas. There was also an assortment of flowers. Hydrangeas, gumamelas, dama de noche, azaleas, gardenias, nasturtiums, geraniums, wild roses, poinsettias and the lowly lantana whose seeds were wonderful as armory for sumpit. 

Outside our fence was a steep incline leading to Laubach Road, really steep. Roads in Baguio then were gravel and tar. During weekends and summer, we would get any available piece of plywood or old ironing boards and slide down that road. It was like the biggest race of all time. Down and up. Down and up, laughter filling the warm afternoons. We never got tired of playing. Inventing games, even during typhoon season. 

Lolo and Lola went on a worldwide tour from May 6 to August 19, 1959. The peso to a dollar then was almost equal. Lola brought back a huge map of the world that we hung in the boys' room when we were in elementary. We had this game wherein one would look for a place in the map, call out the name and the rest had to find it. Whoever found the place first would in turn pick the new place. We cousins, in our minds, traveled to Rangoon, the Seychelles, Faeroe Islands, Kota Kinabalu and more. 

Once, Lola traced with her finger on the map where she and Lolo had gone. From Manila's then Balagbag Airport their first stop was Japan. They then went on to key cities in the U.S., Europe, the Meditteranean, the Middle East, Asia, and back to the Philippines. She fascinated us with stories of snow in Alaska, the Eiffel Tower in Paris, Lolo reprimanding a waiter in straight, harsh Spanish in a cafe in Toledo, biblical places they visited, strange food. Lola made lots of friends, and during the 70's to the 80's we would have occasional guests aside from relatives whom Lolo & Lola met abroad. 

During Lola Felicing's twilight years, I had the great opportunity to spend time with her. Although she had grown feeble after her bout with cancer, Lola never lost her memory. I saw glimpses of her naughty character. She told me that once when she was in her teens, she took a trip to Manila and rode the tranvia. She would evade the conductor making sure to get off just before he would come and charge her her fare. Then off she would go waiting for the next tranvia. I laughed in amazement at that little tale, for Lola had always been an honest and hardworking woman. 

Lola was also a simple and austere woman. During those days when she would accompany Lolo to out-of-town conventions she would travel lightly, never ashamed to be seen repeating an outfit. For the worldwide Rotary Club convention in Lake Placid, New York in 1959, Lola was the darling. Wearing a nice embroidered terno she gushed as other wives gathered around her, exclaiming: "Mrs. Reyes, you look like a doll", because Lola never did grow beyond 5 feet. But Lola never liked being the center of attention. On one foray to the Visayas for yet another convention, Lola was once asked by a rather snooty lady why she wore no jewelry. Lola's reply; "It's against my religion" she deadpanned. Lola can be hysterical, I thought. 

Oh and how Lola loved to cook. She liked simple food. She was no meat eater, preferring fish and vegetables instead. Lola made the best paksiw na bangus. She used to cook it over the gas stove in an old, soot- stained banga. She cut up the bangus fresh from her fishponds in Pangasinan, and only with salt, ground pepper and a few onions and the best nipa vinegar, she would boil the fish. 

I liked the way she cooked paksiw because lola would let the fish boil till about half the liquid had evaporated. Sometimes a fish or two would be toasted on its side where it touched the earthenware. That was the best part next to the bangus belly. Lola also loved sweets. Till her old age, we would make sure she enjoyed her scoops of ice cream. Lola also made the best mango-ice-box cakes. With broas from Cebu she would mix the overripe mangoes from the store and make the best refrigerated cakes our cousins have ever tasted.  

Lola and I knitted sweaters, she being the faster knitter and with uniform stitches to boot. Her hands never got arthritic, so on to the wee hours of the morning Lola and I would labor over our half-finished sweaters, telling each other stories. She had this perfect formula for making sleeves. The formula remains a secret in the family. Just like the recipe for strawberry jam. Today Mama makes strawberry jam but only for home consumption. Auntie Celia has rented out Lola's old stall in the market and gone back to her first love, teaching piano lessons. 

Whenever we cousins reminisce about the past, Lola's strawberry house is remembered. We also talk about Lola's store where we would spend the afternoons after school. And who can forget all the fruits and vegetables in season that Lola would bring home for us to partake of. Today I miss rhubarb, goose-necked squash, large green tomatoes, artichokes, brussels sprouts, persimmons, red bananas, sugar beets and other hard-to-find fruits and vegetables. 

On the day that Lola Felicing would pass away, Mama had given her her customary late morning bath. After which Lola had asked to be dressed in her yellow gown that she used during Lolo and Lola's golden wedding anniversary, the very same gown she told all of us she preferred to be dressed in when she finally goes. Mama had teased her that morning; "Ay Mama! Don't be silly, you're still strong!", she said in Pangasinense. 

That afternoon Lola Felicing didn't wake up from her nap. She put on a tranquil expression on her face, a smile capping a happy life. A life well lived. It was a Sunday. She had made peace with her God. It was said that a fragrant aroma swept through her room as she lay there. The sweet smell was so pronounced yet no one was familiar with it or knew where it came from. It just lingered in her room all day.  

Lola was special because she gave so much of herself. Not only to the family but to acquaintances as well. If man were truly what he eats then Lola would be, I must say, not a strawberry. But a truffle. Mysterious, elusive, hard to find, but special, precious, hard to forget.